Sunday, August 16, 2015

Hey Zine Enthusiasts! 

Wellington Zinefest Committee members Ellen, Cathy and Hamish are running Kids' Zine Workshops as part of their public programme next month!
Every Sunday at 2pm in September we'll be teaching kids how to make different types of zines, at the Wellington Museum on Jervois Quay.
If you have or know of kids aged 8-12 who are budding writers, zine makers, creative geniuses, send them our way! We have a capacity of 10 kids, so book your space fast. Parents/Guardians are welcome to come along.
The French Art Shop have generously donated materials so we could make individual zine kits for you!
If you're keen to sign up, or have any questions, please email Ellen at

 (A few of us got together and tested out the activities - turns out they're super fun for all ages!)

Tuesday, July 14, 2015

Hey Zinesters

This is just a quick post about the great French Art Shop. They are helping out the zinefest committee and are great for zine supplies. They have a sale on until the end of the month. Here's their facebook page for more information.

They have helped us out for the children's workshop we have planned for September. By the way, if you have any kids that would be interested in attending some zine workshops let me know by messaging the zinefest facebook page with the following link

Also a reminder that the Winter Zine Market is this Saturday, the 18th of July, at Thistle Hall. Stall places are still available but get in quick.

Tuesday, June 2, 2015

Application for Winter Zinefest are open!

Applications for the Wellington Winter Zine Market on July 18 are now open! Spaces will allocated on a first applied first served basis. Because the Thistle hall space is a little bit smaller than the James Cabaret space, there will be fewer spaces available so get in quick. In order to cover the costs of table hire, and posters and other admin costs, there’ll be a $5 fee for stall holders, which you can pay on the day. Everyone will get half a large trestle table. There’ll be no full-table spaces available so if have a lot of zines to sell, you may need to leave some at home. If there is enough space for us to have a full table we’ll let you know before the market. There are a couple of small tables available that someone can occupy and those are available to people that turn up early.
The zine market opens at 12 pm noon so you’ll need to be there sometime between 11 and 11.50 am to set up. If you find that you need to cancel, let us know as soon as you can, so that we can notify the next person on the waiting list. In order to make the zine market as comfortable as possible we would prefer not to have more than 3 people behind a table at any one time. At a squeeze we can maybe fit 4 people behind a table but if there’s a large group of you, consider taking turns behind the table instead of cramming everyone in at once.
Email them to What we would to know in your application is your name, contact details, the name of your zine or organisation, and whether you need seating for 1 or 2 people (so that if there’s 2 of you, we’ll get you to share a table with 1 person sitting their space and vice versa). And also please remember that the zine market is for people who want to sell (or swap) predominantly zines/small print/ self-published material so if you want to sell mostly other things please consider selling them somewhere else.
So yeah, get in quick. It’ll be awesome!

Sunday, May 24, 2015

Winter Zinefest!

Wellington Zinefest is bringing you a Winter Zinefest! Book mark Saturday 18th July now and keep your ear out for the call for stall holders coming soon!

Sunday, November 16, 2014

Stall Holder Interview 4 - Dave Tulloch

When did you start start self-publishing?
1991. Wow, that date scares me. But that's when it started.

Primarily you’ve been a writer of comics with other people drawing them. How many many artists have you collaborated with over the years? Who have you collaborated with the most?

I have collaborated with so many artists I wouldn't know where to start counting. One recent project (Duck and Quail) had ten artists alone. At a guess somewhere between fifty and a hundred people.  Recently, the most numerous collaborations have been with an artist from somewhere in the UK who only identifies himself as Skreem.

How many issues of Pistake did you produce? And when did you stop making them?

There were 12 issues of Pistake, the last one in 1994.

Before you started your website, did you publish any other comics or zines outside of Pistake?

After Pistake finished Straitjacket Ninja had a story in Corn Stone's UFO#1, and the nutty ninja was also published in the US by Kitchen Sink in an anthology title. But aside from that I wrote only prose for a while that ended up in a variety of publications from the School Journal to US textbooks on the History of Science.

Is it easier to self-publish now than when you started?

Yes and no. Yes, you can web-publish easier. No, printing was cheaper in the 90s. All the early Pistakes were photocopied for next to nothing, which is why we sold them for next to nothing. Now even printer ink is expensive, making physical self-publishing a problem.

When did you start your website? And can you give me a link to the home page so people reading this interview can check it out?  Um, it started a few years ago now ... not sure exactly when. 2011?

Do you use your website to promote your printed material or is it the other way round?

To promote my website. I can make some cents out of my website. I lose some dollars from the printed material.

You have two major works involving Playmobil figures, One of which is Utterly Rucked which I believe is available as a six booklet set. Will you be selling this at Zinefest? and can you give some background information on it?

Utterly Rucked is a horror/whodunnit/comedy about a rugby team getting slaughtered one-by-one while touring NZ. It was done after watching a terrible Australian cricket horror movie, and me saying I could have written something better that that. My wife said, "Okay then, prove it." My family helped me make the comic by sewing little rugby jerseys, making props, and helping with the photo shoots. It will be available at Zinefest, along with some postcards.

The other major playmobil story on your website is 'Character Development’. Whats that about? And how many pages is it now? Are there any plans to print that out or is it too big?

Character Development is a fantasy parody tale, currently on hiatus. It's over 1200+ pages, so too big to print. There will be a sampler comic available at Zinefest that has three episodes that make up the Game of Scones storyline.  New pages of Character Development will start being posted again in 2015.

Your current project appears to be ‘All unicorns to battle stations’, which you draw your self. Can you tell the readers something about that project?
It should be subtitled "David learns how to draw". It's main purpose is to make me draw everyday. It started out as 'cute' tales of my family, but now various other random things squeeze themselves in there as well, such as a celebrity agent who is managing Jesus on his second coming, and some animals fighting aliens on the moon. Two collections of AUtBS will be on sale at Zinefest.

Do you have any other zines on sale that you’d like to bring to our reader’s attention?

I'll be selling some other bits a pieces, including Tortured Plastic, which was a one-off collection of various collaborations with three artists. Duck and Quail, which collects 80 strips that appeared on the Drunk Duck website, drawn by ten different artists. There should also be some other stuff if I get myself sorted out in time.

Sunday, November 2, 2014

Stallholder interview 3 - Caitlin Lynch, Wellington East Girl's 'FeminEast'

1. You run a group called FeminEast with Bella and Jess, tell us about it – how did you start it, how long has it being going, how often do you meet, who’s involved?
FeminEast is a group of students at Wellington East Girl's College. For over a year now, we've met every Friday lunchtime to talk feminism. We're primarily a discussion group (current events, theories, personal stories) but also have advocacy intentions and try to be active with our feminism. About 25 people regularly come to meetings and we have a facebook group of 200. The three of us run have been running the group for the past year and are passing it onto three more year 13 leaders for 2015.

2. How would you / your club define feminism today?
It's a tricky thing to narrow down, as feminism means something different to everyone but generally I'd say our perspective on modern feminism is that it must be intersectional and accessible. Oppression exists across multiple axis and all forms are interlinked. Understanding the complex relationship between oppression and privilege is key. I think it's also important when trying to tackle any scenario of inequality to think about the big picture and the context which lead to the situation.  As teenage girls in New Zealand we try to balance our focus on both global ideas and local issues that effect us. Feminism is both a way of seeing the world and seeing yourself. Therefore, FeminEast aims to make positive change on a community level but also to empower the individual. We want teenage girls to feel validated and important and understanding Feminist ideology greatly effects self-assurance. Often when faced with sexism it's hard to know what to say. The great thing about having regular discussions, is that the students learn the language to describe their experiences with inequality. This means they are able to vocalise their thoughts and express themselves which is hugely empowering.
As an overall definition though, I'd say feminism is an active desire for gender equality and equity. 

3. Does your club focus solely on feminist zine-making or are there other activities you do together?
Zines are a bi-product of our learning. We run the group by splitting the year into topics, investigating the ideas and then presenting our findings into zines. We've made zines two different ways. Our 'Intro to Feminism' and 'Gender Roles' zines were carefully structured to communicate to our audience. About 10 girls were involved in making a different page for these zines. Our other zine was made in a collaborative session where (aided by Cute Bruiser) we all made a page to contribute to a zine that expressed what feminism meant to us. So yeah, zines are an extra thing we do. Aside from discussions, as a group we've organised guest speakers for the school, gone to the End Domestic Violence protest, attended various gender equality events around Wellington and done charity work (including donating to Shakti Women's Refuge and raising $1028 for SHE28). We also have a lot of pizza parties, shared lunches and have fun. 
4. Why did you start using the zine format to explore critical topics like feminism?
I got into zines the same time as I got into feminism, so in my mind they've always been connected. Stemming for Riot Grrrl and evolving into the modern day feminist zines have been a way for people to publish ideas independently. I think it's amazing that a group of teenage girls can come up with a concept, express it and distribute it. It's incredibly validating to see your own ideas validated into print. It's pure expression. In a society where so much media is told from a male perspective or unconventional ideas are censored, the independency of zines is invaluable. Also zines are so fun! They are creative, cute and accessible. Our school peers are far more likely to read a colourful booklet with images and stickers and handwritten ideas than a block of text on feminism. Zines were the perfect medium for FeminEast because they could be made entirely by teenage girls and would be read by teenage girls. 

5. What do you do with your zines once you’ve made them?
Once we've used the dregs of our allocated printing money/ hacked some unused printing accounts and had a folding workshop, we distribute our zines to the school. We advertise to the students and then take them around to classes for a few days. We usually ask for koha to help cover printing costs. I'd say we give out about 200. The zines don't just stay at East either, they filter out into the wider community. Friends at other Wellington schools (of all genders) often ask for them and we've got some at the library. Zines are a unique medium, because they are special enough not to want to chuck out but unlike a book that you feel a need to keep. People are very good at passing zines on, a brilliant way of sharing the knowledge without having to waste on too much printing. There is something special about a physical piece of media. It's somewhat of a novelty, which means people are more likely to read it rather than ignore an email. In saying that, we intend to upload our zine to a blog so that anyone, anywhere, anytime can see it.
6. What advise would you give to other secondary school students who would like to start up a similar club?
GO FOR IT! FeminEast has been a 100% positive experience. Many students were already quiet feminist and plenty of the ones who weren't have started coming along to meetings. Our principal commented the other day that FeminEast has changed the attitudes of the school, because even those who don't have anything to do with the group know it's there. Starting a feminist club raises the profile of feminism and shows that it's important, which has a great ripple effect among peers. There are lots of Feminist clubs in Wellington schools and I've had people at Wellington College talk about starting something similar which is a huge change. So if this sounds like something you'd be keen to do I'd completely reccomend it. Three bits of advice:
-Because feminism addresses controversial issues, as leaders in a school environment you need to make sure the group is a safe, open place. Occasionally we've had to avoid certain discussions, or mediate a bit of tension. It's completely natural, just something to be aware of.
- Reinforce the basics. This can be hard, because if you're someone who knows a lot about feminism you're going to be keen to delve into the complex questions. However you're likely to have a constant stream of newcomers, often wih veery little prior knowledge. Keep linking deeper ideas back to the simple fundamentals and define terminology often. This way your club will be accessible.
- Have fun with it! Don't let it become a stressful or negative experience because it will tarnish peoples association with feminism. Part of feminism is being fulfilled and happy and proud of who you are, so little exercises which enhance this are a good way to keep the group positive. For example last week we had a cupcake icing session, loosely based on the idea that 'you make the decision over how you look'. Frivolous but fun. This will attract more people to the group, and establish a strong community of friends. 

Monday, October 27, 2014

Stallholder Interview 2

Stacey Teague is an Auckland based zine-maker and poet. She recently returned to New Zealand after living in the UK for two years. Her poetry collection takahē was recently published by Scrambler Books. 2014 will be her first Wellington Zinefest. We asked her a few questions:

How did you first get into zines?
I can't remember specifics, but in 2009 I co-edited a zine where we solicited art and writing and took that along to the Auckland Zinefest. While I was there I got a whole heap of zines that I loved and after that I started making my own zines pretty regularly.

A lot of your zines seem to be documenting your exploration of a single idea or theme. What is your process for zine-making?
I definitely give myself a starting off point, I find that helpful in writing as well. I have a zine about love, buses, dinosaurs, a trip to Melbourne, going to CALH. It's just easier to work that way imho.

How many zinefests have you been to? Do you have any favourite memories from any of them?
I went to 3 or 4 in Auckland and 1 in Christchurch. It's always a nice atmosphere and it's fun to swap with the other stallholders. I really liked Christchurch Zinefest, they had a reading during the day which I read at and was really cool.

Tell us a bit about the zines you'll be bringing down to Wellington.
I'm bringing some old zines I made, including a zine for each season of one year. A poetry publication called 'Hands Like Mirrors' that I co-edited, which features young NZ/Aus writers. My own poetry collection called 'Takahē'. Two new zines that were mostly made in the UK but I've finished off here, one is about the Jurassic Park franchise and the other is about dogs I saw when I was travelling in Europe. I'm currently finishing up a zine that is a writing collab with my friend Susie.

You recently spend a couple of years overseas. Did you make any zines while you were away? Were you exposed to any cool international zines or zine people?
As above, I started making those two zines, but overall I was kind of in a zine hiatus while I lived in the UK, for whatever reasons. It feels right now that I'm home to be making them again.

What are a couple of your favourite zines by other people?
I just looked through my zines (I have a shit tonne of them) because I was trying to find a specific one but couldn't find it, it was one that folded out into a map, of maybe, Sydney? and they had written and drawn stuff on it of memories or things they have done in certain areas. I keep wanting to copy this idea, but anyway it's a really good idea. When I was going through my zines I found a cool one by Alice May Connolly called 'Cat' which is writing and it's cool. I like the zine where Eamonn got people to draw pictures of him too.